INTERMEDIATE | The new ACES 1.3 version is now available within Resolve and it comes with a great gamut compressor for out of gamut colors!

INTERMEDIATE | Some more great resources all about Color Science. From Python to DCTL coding all the way to some theory, math and HDR .

INTERMEDIATE | Various film emulation options for DaVinci Wide Gamut (DaVinci Resolve YRGB Color Managed, RCM 2.0) workflow.

INTERMEDIATE | 2 part tutorial by Netflix about the color roundtrip all the way from the set to final grading.

ADVANCED | An update with some new Fuji Eterna Vivid500T scans (from a Scanity 4K), new learnings and what I'm currently up to.

ADVANCED | My node trees and some look design ideas with the LUTs we adapted for use in Resolve in the previous tutorial.

ADVANCED | How to adapt Filmlight Baselight (film emulation) LUTs for DaVinci Resolve + all LUTs from the ARRI Look Library.

BASICS | Adjust your exposure in a photometrically way to stay more accurate to the initial photographic intend.

INTERMEDIATE | Take The Edge Off Of Overly Sharp Footage (e.g. Drone Shots)

BASICS | Film emulation plugin review & my preferred setup with it that will give you lots of aesthetics of film within a single purchase

BASICS | Some great resources and tips if you want to start digging deep into all things Color Science.

INTERMEDIATE | RGB Mixer explained in detail & some techniques on how to use it creatively for look design (+ some looks explained).

INTERMEDIATE | Learn how to create, QC & deliver a DCP correctly so it's 100% compatible in every cinema worldwide.

BASICS | Some tips and techniques for your daily work that will make your life easier.

INTERMEDIATE | Part 2/2 of dialing in the overall look of this spot. In this insight I'm going to dial in some more aesthetics of film.

ADVANCED | With this tool you're able to calculate the needed values to get from your source to destination within Tetra automatically.

BASICS | Get up and running with RCM2.0 / DWG plus some more intermediate insights & info you might not heard of yet!

INTERMEDIATE | Create your own color managed pipeline for a more advanced approach to colorgrading (+ how to use this with film emulations)

ADVANCED | Another approach that I find myself using a lot for doing negative film emulations fast & easy.

ADVANCED | How to mix and match different LUTs & looks the easy way by splitting them up in an individual luminance and chrominance channel

INTERMEDIATE | Some Different Ways Of Adding Saturation Without Making Your Colors Look Garish.

ADVANCED | How to emulate grain more realisticly so that it corresponds to the different color channels with the built in Grain OFX.

ADVANCED | Look Breakdown Of A Music Promo in DaVinci Wide Gamut/Resolve YRGB Color Managed (2.0) workflow.

ADVANCED | In this episode I'll recreate the "Steve Yedlin" method completely within the DaVinci Resolve color page (& also Fusion)

ADVANCED | n this tutorial you're going to get some insights into Davide Greco's work on a commercial for a swatch brand.

INTERMEDIATE | This is the first part of 2 where we are going to dial in the overall look for this commercial.

INTERMEDIATE | In this part we're going to do some local adjustments/fixes on areas with issues before we start with the look design!

BASICS | In this part we will focus on balancing, matching and Noise Reduction before we start with look design in the next part.

BASICS | This is the first part of the new Look Development Class. I'm starting with a general intro, some basic Color Management & Theory!

ADVANCED | I'll show you my fix to a common problem you're going to encounter sooner or later in your career: making productshots stand out.

A short review of a great film emulation plugin called Dehancer including some look breakdowns of recent jobs.

Reproduce the effect of real optical diffusion filters. Accurate, consistent, and controllable.

INTERMEDIATE | I will show you some techniques on how to use and stress test your 3D LUTs and color pipeline with the help of test charts.

INTERMEDIATE | How to get a high quality stream out of your reference monitor to different devices all over the world.

ADVANCED | In this next part of the journey you'll get all the Fuji scans ans some insights into how I started working in Nuke.

ADVANCED | Recently I had some jobs where the client handed me over digitally shot footage and they wanted to recreate a 8mm look and feel.

INTERMEDIATE | Recovering Highlights & Shadows More Naturally With The Help Of The Layer Node

ADVANCED | 3x3 Matrix explained and how to use it natively within Resolve (creatively) or with external software (mathematically precise).

ADVANCED | Insights into our first test shoot of a RED Helium and Fuji Vivid 500T 35mm Motion Picture Film.

INTERMEDIATE | Here's a short overview on how I'm using the new LookDesigner2.0 and Grainlab plugin by Colourlab.ai.

BASICS | Hi everyone! In this new series we're going to start from the very beginning starting up DaVinci Resolve for the very first time.

BASCIS | In this second part we're moving on to setting up our DaVinci Resolve project correctly before importing our first XML/AAF.

INTERMEDIATE | Simple and easy live streaming solution for remote grading sessions on a budget.

ADVANCED | Next off I'm talking about the various things I have bought (or borrowed from friends) that I'm going to need for this project.

BASICS | Last but not least we're going to explore how we're able to easily create a "film print look and feel" with the help of curves.

BASICS | This one is a really short and easy one. I show you how you can easily do some look alterations without messing up your main curve.

BASICS | In this third one I'm going to show you how I'm going to use the curves tool for more shadow detail.

ADVANCED | An introductions and foreword on this big series. I'm going to document my process of creating film profiles for digital cameras.

INTERMEDIATE | Stakes are high that you've had some troubles with out of gamut values when you've worked in ACES before. Here's a solution!

BASICS | In this second series I show you real quick how I'm going to use the curves tool for a smoother highlight roll-off.